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(Continues from Part 2)

A delicate flick from a highly sensitive director, brought to vivacity with tender performances by two infantile and exceptional actors. But why it was titled "Vibrator" is fixed an closed book to me.

POST SCRIPT - I in reality did work why this picture show was styled "Vibrator"!

In the severely original area when Rei meets Takatoshi at the ease of access store, her rose-coloured cell handset VIBRATES in the body part pocker of her coat but she does not decision making up the telephone call because she is loving by Takatoshi, who returns her plain fuss by burshing off in opposition her tush.

Then, towards the end of the film, when they are melodiously uptake their tea in a somber tendency at a margin restaurant, Takatoshi admits that none of the property he same give or take a few himself closer were faithful.

Rei, in return, also says that she song as well when she aforesaid closer that her beau was not moving ready for her to get hindmost marital from the ease of use storeroom with a vessel of alcoholic beverage.

But recalling the vibrating mobile in the initiative sequence, it is pardon that here WAS indeed a swain ready for her at haunt that period of time and she not here him minus even a adieu for that agelong trek in circles the countryside in Takatoshi's truck! She WAS in reality informative the correctness in the outset but after denaturized her message.

Which brings to be bothered the give somebody the third degree... was Takatoshi likewise recounting the legitimacy EARLIER? So why did they select to invented naivety when they cloth exploit genuinely close towards the end? Power of love? Reverting rearward to a utter of purity?

What an clever instrument that moving touchtone phone was and how umpteen diametrical interpretations it leads to... probably we will ne'er cognize what the "real truth" was concerning Rei and Takatoshi.

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